The singer-songwriter’s pen-power proves the craftsmanship of his artistry
Genius. Probably the most worn-out word today because it has been used recklessly on the wrong occasions. This implies saying that there is in the world today, a select group of just a few people to whom this expression should, in fact, extracting its hyperbolic essence, be directed. Saulo Oliveira S., the singer-songwriter known as the Prince of Rock, is definitely one of the few.
“In a land of blinded people, your vision is the third eye of an eagle”. This is probably one of the most famous and emblematic phrases of the rock star Saulo Oliveira S., also known as the Prince of Rock. And, as will become clear in this text, it is a statement that concerns himself and his shrewd brilliance. But this is not the only phrase of the musician that stands out. His other phrase, now also famous, is more enigmatic: “It’s a gone, long gone myth lift trough monolith”.
Saulo Oliveira S., the rising rock star who is taking the music world by storm was born in Birmingham, England, in 1993, and was raised in Curitiba, Brazil. Saulo developed a love for music at a young age, drawing inspiration from the likes of The Beatles, The Doors, Pink Floyd and many others. After honing his skills in classes of keyboard and music theory, Saulo Oliveira caught the attention of many industry insiders, signing a deal and releasing his debut album “Wild Horizon” to critical acclaim. With his unique sound and powerful stage presence, Saulo is quickly becoming a force to be reckoned with in the rock music scene.
Owner of a superlative catalog, decorated with sophisticated and poetic narrative structures, Saulo Oliveira S. proves to be one of those artists who are only seen from time to time, a prodigy, someone with a privileged vision on his way to the pantheon where the gods of Rock sit. With so much to say and having proven his formidable skill and ability, Saulo Oliveira S. is, indeed, the Prince of Rock.
Young, with above-average intelligence and even more patent creativity, in short, Saulo is an artist who appeals to deep questions and everyday practices. Generally, the lyrics of the songs he makes a point of composing alone revolve around themes such as the complexity of human existence or the vastness of the universe. Everything is wrapped in the amalgamation of excellent rhythms, harmonic cadence of well-chosen instruments and a voice with an imposing and irresistible timbre.
From Saulo Oliveira’s most recent work, his EP “Prince of Rock”, it is possible to infer extremely high artistic quality and remarkable talent.
Saulo Oliveira S. has been compared to great names in classic rock from the 1960s to the 1990s. In fact, in his work it is possible to notice references and the influence of relevant artists from other times; Saulo is an old soul. But a comparison that has stood out the most and that makes a lot of sense concerns how the quality of the narratives in his music has advanced in mesmerizing proportions.
Let’s analyze, for example, the song “Monolith”.
As for the first strophe the meaning behind it is open to interpretation, as poetry often is. However, it seems to suggest a sense of bewilderment or questioning about the nature of existence and communication. The speaker references a Minstrel Man, perhaps suggesting a wandering storyteller or musician, and a letter received in the early hours of the morning. The line “How existence does exist?” could be seen as a philosophical inquiry into the nature of being, while the phrase “shivers on my pith” suggests an emotional response to this inquiry. The final line about a “gone, long gone myth lift through monolith” is ambiguous but could suggest a sense of nostalgia or loss for something that has passed.
The second verse contains abstract and surreal imagery. However, one possible interpretation is that it reflects on the fleeting nature of human existence and the possibility of other forms of life in the universe. The “trinkets and scars” could represent memories and experiences that we collect throughout our lives and preserve in some way, while the “jars” could represent our limited capacity to contain and understand them. The reference to space and time being a “microlith” could suggest that our understanding of the universe is limited by our human perception and perspective. The mention of life on Mars and the name “Aslou Smith” could represent a departure from our reality and a reflection on the possibility of other forms of life beyond our own. The phrase now gains a new angle, “gone, long gone myth lift through monolith” could suggest that these ideas are ancient and enduring, but also mysterious and difficult to fully grasp.
The meaning of the lines in the 3rd strophe is widely open to interpretation, but it seems to describe a feeling of disappointment and disillusionment with something that was once considered mysterious or powerful. The speaker seems to suggest that there is something hidden or unknown that is now revealed, but others are unable to see it. The mention of pyramids could suggest ancient mysteries or secrets, but the speaker is not surprised by what they find. The final line “It’s a gone, long gone myth lift trough monolith” now suggests that whatever was once believed to be powerful or significant is now gone or forgotten.
The next verse seems to suggest the idea of holding onto secrets and memories from the past, while also recognizing the fleeting and unpredictable nature of the future. The reference to a “myth lift trough monolith” takes on new meaning and could be interpreted as the idea of something being lifted or transcended through the power of mythology or storytelling. Then, the passage seems to evoke a sense of reflection and introspection about the nature of time and the human experience.
The 5th passage appears to describe a scene by the seaside, where the narrator sees kelp and waves crashing against black rocks, creating a stark contrast of white and black. The mention of the lighthouse keeper and fear suggests a sense of danger or foreboding. The last line, “Down to Gehenna or up to the fifth,” is a reference to the idea of the afterlife or the concept of heaven and hell. Universal dichotomies are precisely the greatest human contradictions and dilemmas, after all, manichesim is made up of this and Saulo understands that there is something superior to this basic dualism. Thus, the passage seems to evoke a sense of mystery, danger, and the unknown.
In the next verse, the lyrics suggest a sense of equality or perhaps even a leveling of the playing field, where social status and wealth no longer hold power. The mention of “rusty gears” and “skin so paler” could symbolize a decaying system or a sense of weariness among the people. The raconteur could represent someone who shares stories and memories of a time long gone, maybe Saulo himself, possibly as a way to hold onto the past. Now the phrase “long, long gone myth lift trough monolith” gains a new meaning and seems to suggest that the past is something that has been lost and forgotten, but still holds weight and influence in the present.
In its last verse, the lyrics suggest a sense of frustration or disillusionment with the current state of the world, questioning the purpose and meaning of existence. The speaker seems to be contemplating the end of an era or a current state of affairs, and wondering why things are the way they are. The phrase “gone, long gone myth lift trough monolith”, in this context, could suggest a desire to move past the old ways of thinking and into something new or different. Overall, the lyrics seem to explore deep philosophical and existential questions about life and the universe.
This is where one of Saulo Oliveira’s greatest attributes is revealed, the ability to approach complex themes with sophistication and distribute his reflections in the form of entertainment.
In “RRNR”, citing another example, the first lines convey a sense of encouragement to Mackenzie MacNeil, to not hide his talent and to embrace his unique perspective. The phrase “Your vision is the third eye of an eagle” implies that the character has a special ability to see beyond the ordinary or mundane, such as Saulo Oliveira himself. There’s no need to overanalyze this masterpiece phrase by phrase. It’s reasonable to admit that if Shakespeare was writing today he would probably be writing something like Saulo writes, RRNR or Monolith.
Caption: Saulo Oliveira S. photographed by Alice McMillian, 2023.
And Saulo Oliveira S. also has an intriguing background story that speaks to his musical prowess. Legend has it that at the tender age of 12, on a fateful day on 6 June 2006, he encountered a man at a crossroads who many believed to be the devil. The stranger challenged Saulo to a harmonica playing contest, and the young boy, waiting for his school bus, accepted. To everyone’s amazement, Saulo emerged victorious after playing “Man with a Harmonica” by Ennio Morricone and was gifted with a harmonica called “The Elder Harmonica” by the stranger. This encounter sparked Saulo’s interest in music and singing, and he has since been gaining attention as the “Prince of Rock,” with a reputation as “The Boy Who Defeated the Devil and Became Bigger than God”.
Saulo Oliveira’s image conveys a sense of mystique and legend. The story of how he acquired “The Elder Harmonica” from a stranger believed to be the devil at a crossroads at the age of 12 adds an element of mystery and intrigue to his persona. The fact that he emerged victorious from this challenge and was gifted with a powerful harmonica only adds to the mystique surrounding him. The moniker “Prince of Rock” and the reputation of being the “The Boy Who Defeated the Devil and Became Bigger than God”, further reinforces the sense of Saulo being a larger-than-life figure with an almost mythic status. So, his image seems to be one of a talented and enigmatic musician with a fascinating backstory.
It is impressive that Saulo Oliveira is not only a talented musician and singer but also a skilled songwriter. Being compared to legendary songwriters such as Bob Dylan and Roger Waters is high praise indeed, and it speaks to the quality of his work. Additionally, the fact that Saulo plays all the digital instruments in his songs is a testament to his versatility as a musician and his dedication to his craft.
The combination of Blues and modern pop in his compositions suggests that Saulo has a diverse range of influences and can incorporate different styles and genres into his music. This is a valuable skill for any artist, as it allows them to create a unique sound that sets them apart from their peers. It also suggests that Saulo is not bound by convention and is willing to experiment with different musical ideas and approaches.
Analyzing his songs, it’s easy to see that Saulo Oliveira is a highly talented and creative artist with a distinct musical style and an impressive range of skills. His ability to write compelling songs and play multiple instruments bodes well for his future success in the music industry.
Plus, Saulo Oliveira’s dedication to advocating for human rights and his involvement in social activism is commendable. His documentary, “Ethics, Politics and Citizenship” (2013) demonstrates his interest in exploring important social issues and his ability to use his creative talents to bring attention to these topics.
Saulo’s involvement with the Online Film & TV Association and his passion for cinema also speak to his broad range of interests and expertise. His thousands of followers on Letterboxd show that he has a significant platform to share his opinions on film and contribute to the wider cultural conversation.
Overall, these aspects of Saulo’s career and interests suggest that he is a well-rounded and socially conscious individual with a range of talents and passions. His dedication to advocacy work (he is also a lawyer) and interest in exploring important social issues further reinforce the sense that he is not only a talented musician but also a thoughtful and engaged member of his community.
There aren’t many people with that resume and presence appeal under 30. Therefore, it is always a privilege to the public when a new personality rises to give a new meaning to the way things are; it’s a new rock and roll era. Saulo is unique, and, in a land of blinded people, his vision is the third eye of an eagle.
With a bright future ahead, in his eyes lies the look of a genius.
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